What if death was not the end? A thrilling story of love, loss, revenge and redemption in Naples and beyond.
When his son is killed by gangsters’ crossfire on his way to school, Neapolitan taxi driver Matteo is consumed by despair.
But just when he feels life has lost all meaning, he encounters a man who claims the living can find ways into the afterlife. And legend says that there’s an entrance to the underworld beneath Naples.
What if Matteo had a chance of bringing Pippo back from the dead?READ MORE
Memories of World War II exert a powerful influence over Japan's culture and society. In The Japanese and the War Expectation, Perception, and the Shaping of Memory, Michael Lucken details how World War II manifested in the literature, art, film, funerary practices, and education reform of the time.
Michel Chion is well known in contemporary film studies for his innovative investigations into aspects of cinema that scholars have traditionally overlooked. Following his work on sound in film in Audio-Vision and Film, a Sound Art, Words on Screen is Chion's survey of everything the seventh art gives us to read on screen.
In a vertiginous play between fantasy and virtual reality, Camille Laurens relates the dangerous liaisons of a woman who refuses to give up on desire.
This is the story of Claire Millecam, a forty-eight-year-old teacher and divorcee who creates a fake social media profile to try to keep tabs on Joe, her occasional, elusive, and inconstant lover. Under the false identity of Claire Antunes, a young and beautiful twenty-four-year-old, she starts a correspondence with Chris—pseudonym KissChris—which soon turns into an Internet love affair.
Francisque Sarcey was the most influential drama critic in 1890s Paris — and the most conservative. He famously dismissed Alfred Jarry‘s Ubu Roi as “a filthy fraud that deserves nothing but the silence of contempt.” The brilliant humorist Alphonse Allais transformed Sarcey into an Ubuesque piñata in a series of columns published under Sarcey’s name in the newspaper Le Chat Noir.READ MORE
In 1891, Paul Gauguin (1848–1903) arrives on the French Polynesian island of Tahiti. In this lush paradise, he is liberated from the concerns of the city-dwelling European. He is free: to love, to sing, and to create. In Copenhagen, Gauguin’s wife enjoys no such freedom. She would rather forget her odious husband and his degenerate artwork. Instead, in a city resistant to the avant-garde, she is tasked with selling a collection of his extravagantly priced Tahitian paintings.READ MORE
Written over a series of early mornings from 1967 to 1973 in his seclusion at his country home, Mas des Vergers, The Table was Francis Ponge’s final text and offers a final chapter in his endless interrogation of the unassuming objects in his life: in this case, the table upon which he wrote. In his labored employment of words to destroy words and get at the presence lying beneath his elbow, Ponge charts out a space of silent consolation that lies beyond (and challenges) scientific objectivity and poetic transport.READ MORE
A sweeping fictional account of the early Christians, whose unlikely beliefs conquered the world
Gripped by the tale of a Messiah whose blood we drink and body we eat, the genre-defying author Emmanuel Carrère revisits the story of the early Church in his latest work. With an idiosyncratic and at times iconoclastic take on the charms and foibles of the Church fathers, Carrère ferries readers through his “doors” into the biblical narrative. Once inside, he follows the ragtag group of early Christians through the tumultuous days of the faith’s founding.READ MORE
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