Jean-Luc Marion is one of the most important philosophers for the contemporary study of religion.
Believing in Order to See On the Rationality of Revelation and the Irrationality of Some Believers explores the questions of Catholic identity and the interplay of faith and reason in a clear manner, making it easily accessible to those without philosophical training.
It might also be of value to anyone interested Catholic education's contribution to intellectual life.READ MORE
Memories of World War II exert a powerful influence over Japan's culture and society. In The Japanese and the War Expectation, Perception, and the Shaping of Memory, Michael Lucken details how World War II manifested in the literature, art, film, funerary practices, and education reform of the time.
Michel Chion is well known in contemporary film studies for his innovative investigations into aspects of cinema that scholars have traditionally overlooked. Following his work on sound in film in Audio-Vision and Film, a Sound Art, Words on Screen is Chion's survey of everything the seventh art gives us to read on screen.
Written over a series of early mornings from 1967 to 1973 in his seclusion at his country home, Mas des Vergers, The Table was Francis Ponge’s final text and offers a final chapter in his endless interrogation of the unassuming objects in his life: in this case, the table upon which he wrote. In his labored employment of words to destroy words and get at the presence lying beneath his elbow, Ponge charts out a space of silent consolation that lies beyond (and challenges) scientific objectivity and poetic transport.READ MORE
The color red has represented many things, from the life force and the divine to love, lust, and anger. Up through the Middle Ages, red held a place of privilege in the Western world. For many cultures, red was not just one color of many but rather the only color worthy enough to be used for social purposes. In some languages, the word for red was the same as the word for color. The first color developed for painting and dying, red became associated in antiquity with war, wealth, and power.READ MORE
Roland Barthes (1915-1980) was a central figure in the thought of his time, but he was also something of an outsider. His father died in the First World War, he enjoyed his mother’s unfailing love, he spent long years in the sanatorium, and he was aware of his homosexuality from an early age: all this soon gave him a sense of his own difference. He experienced the great events of contemporary history from a distance. However, his life was caught up in the violent, intense sweep of the twentieth century, a century that he helped to make intelligible.READ MORE
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